Lyrics:
Chorus:
BOOM BOOM My heart is a boomerang
Someday it will catch you
Your love is an interrobang
I'm a Panda for your bamboo
In the dark of the night
Open my world like eucalyptus
Lumberjack will you fight
Timber getting between us‽
(Chorus)
Super burning forest of fire
Tonight, under the moon
Lumberjack my desire
Will you dance to my tune‽
I'll follow your chainsaw to Warsaw
I'll track your bivouac, lumberjack
Life and death, love and faith, MDF
(Chorus x2)
you should really just offer this as a torrent on fapis or something because frankly this download scheme isn't working out
A torrent for a 5MB MP3 file‽
The link ( http://dqn.dqn.lol.googlepages.com/GENOCIDE_BY_BOOMERANGS.mp3 ) definitely works, try right-click-save-as if necessary.
But just in case here's a reupload on another service I know to work well: http://www.tindeck.com/audio/my/otsh/Lumberstar
ah-geh for greatness!
ALL HAIL DADDY COOL
ALL HAIL DADDY COOL
ALL HAIL DADDY COOL
ALL HAIL DADDY COOL
ALL HAIL DADDY COOL
Don't like Eurobeat, but it has all my fav memes so A+
What's with SAoVQ and loving shit music? Can't you just stick with your anime soundtracks?
>>8
they like it because they think that if they can make a beat in fruity loops or some shit then they can be popular too
the entire time they're listening to it they're like YEAH I CAN DO THIS TOO
well i guess i am just talking about the j-core shit but whatever
The lyrics are pure eurobeat, but the song itself wasn't quite eurobeat. To be true eurobeat, it needs to repeat the 1:05-1:17 part in between all the vocal parts over and over again.
But enough nitpicking, it was a nice song.
8.5/10, would listen again. :*
>>8
I knew that making a playlist containing every SEB album ever and blasting it at random times in the Tanasinn chamber would have adversarial effects.
>>9
isn't this kind of how all musicians start out? Not necessarily the fruity loops part but the imitation part.
>>9
I resent that, one of my music applications has PRO in its name. That goes to show how serious I am about my art.
>>10 >>12
It was actually quite harder than I expected to imitate the genre. I'd have listened to more reference material but it was making me DANCING TO YOUR HEART ALL NIGHT BABY YEAH COME ON TOGETHER against my will.
>>13
I've never been able to even imitate properly, I always have to take tried-and-true formulas into jarringly dissonant and boring "experimental" shit. I seriously wish I were able to force myself to make an honest rip-off of songs I like (´Д｀;)
>>14
The trick is to make electronic noise shit and call it "art."
Just keep practicing, VIPPER. You aren't at VIP quality yet, but it is attainable.
my recommendation is to get your hands on the mercury waves pack and learn how to EQ your music (a little EQing on those synths could go a long way)
>>15
No, the trick is to make electronic noise art and call it "shit"
>>16
I know how much difference a decent mixing makes, but for stupid internet music I just throw together synth factory presets, bang random notes, add a violent compressor at the end, and call it a day ( ﾟ ヮﾟ)
I googled that mercury thing, looks nice but I think I'm already sitting on way too many sounds and effects - I'd love to try Omnisphere too, but these kind of massive toyboxes would probably just get in the way of making music, you know?
I tried to explore the world of VST/AU plug-ins, but in the end nothing works better for me than to load Reason with generic patches, disregard the sound while composing, then rewire it to a DAW later, switching some parts to one the few synths I actually took the time to learn, program them, and add simple effects in ways that work for the song. Effects that encourages too much exploration too early just spoil me and makes me want to do some "creative" "ambient" "experimental" "art".
>>15
( ﾟ ヮﾟ) I love harsh noise and distortions and a mild level of grind, good music is a subjective term!
Metal sucks though.
>>1-2,4,14,17
Sounds decent, the chainsaw samples at the start are a great touch. I'm not that fond of the vocals really, though.
>>17
Creative, ambient and experimental stuff is great if used smartly and economically. Explore all the possibilities, but make sparing use of the weird stuff. In my opinion the best electronic music uses harsh or strange effects in subtle but effective ways.
>>20
(Addendum: I love tracks that go all out with the "weird" stuff. I'm just talking about the music considered good by more people than just junkies like me.)
I've never thought of Title-type stuff as actual music. I just listen to it because it's funny and I can feel cool because it's an insider joke.
Sorry if I'm trivializing anyone's artistic vision.
>>22
I agree.
Except for the tracks I made, now those were TRUE MASTERPIECES
>>22
It's not supposed to be taken seriously, of course. It's just that the thread got into discussing actual music making.
